Free Shuttle on Saturdays to Snug Harbor Cultural Center | Request for Proposals: Edwin Markham Arts Champions | Arts-in-Education Partnerships

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Free Shuttle on Saturdays to Snug Harbor Cultural Center

Snug Harbor - A National Landmark on 83 acres in Staten Island

"I can't believe this is in New York City, and only a few minutes from the ferry dock!"

Snug Harbor is about EXPLORING
  • An interactive museum for children and those who love them
  • An array of meandering walkways and the unique NY Chinese Scholars Garden
Snug Harbor is about ENJOYING
  • A gourmet lunch or snack at Café Botanica amidst grand gardens and browsing at our three gift shops on site
Snug Harbor is about ENRICHING
  • A tour of our art galleries and historic buildings and the stunning John Noble Maritime Collection
Snug Harbor is about ENTERTAINING
  • An historic Music Hall with live shows and movies for all ages
There's always something happening on Staten Island - see COAHSI's calendar page for a complete list of cultural events.

FREE Van Shuttle to Snug Harbor

  • When: Saturdays from September 24th through October 29th. Every half hour coinciding with ferry schedule, from 12:00 Noon to 5:30PM. Return trips start at 3:00PM.
  • Where: Follow signs to Pick-Up area; or exit Ferry on Lower Level and meet White Shuttle Van at parking lot pick up area.
  • Call 917-669-9394 Saturdays ONLY for information
PLEASE NOTE: Free return trip to Ferry is available with paid admission or restaurant receipt/sticker ONLY or $3.00 per person.

On days when the Snug Shuttle is not operating, use your NYC metrocard (free transfer from subway to bus) take the convenient S40 bus from Ramp D in the St. George Ferry Terminal directly to our front entrance.

Sponsoring organizations:
  • Café Botanica
  • Council on the Arts & Humanities for Staten Island (COAHSI)
  • Noble Maritime Collection
  • Snug Harbor Cultural Center
  • Staten Island Botanical Garden
  • Staten Island Children's Museum

Request for Proposals: Edwin Markham Arts Champions

Deadline: September 6th, 2005

Contact: JoAnne Kavanagh (COAHSI) at 718-447-3329 or arts.in.ed@statenislandarts.org
or Linda Santlofer (Seamen's) at 718-447-7740 x4204 or santlofer@roots-wings.org

INTRODUCTION:

"When young people are involved with the arts, something changes in their lives"

Some of the key findings of Champions of Change: The Impact of the Arts on Learning, published in late 1999 by the Arts Education Partnership and the President's Committee on the Arts and Humanities, indicates that participation in the arts has many benefits in enhancing not only children's scholastic but personal development. These benefits include increasing literacy competency and positively affecting the personal qualities critical to becoming psychologically healthy and productive adults… resilience, self-regulation, identity and an ability to experience a state of total absorption through dedication to task.

The Council on the Arts & Humanities for Staten Island (COAHSI) is dedicated to fostering, promoting and developing arts, cultural, and humanities activities on Staten Island by providing technical assistance services to its constituency of artists of all disciplines, cultural organizations and the general public. We are delighted to collaborate with the Seamen's Society for Families and Children on a new project, "The Edwin Markham Arts Champions", to be launched in the fall of 2005 that will provide a wide range of arts experiences to the children at the Edwin Markham Day Care Center operated by the Seamen's Society. Seamen's Mission is to provide the highest quality of services to strengthen and unify families so that each member can achieve its highest potential. The services that Seamen's provides in Staten Island and Brooklyn include Foster Care; Family counseling; Day Care services; Domestic Violence services and Youth development and counseling services.

Individual artists and arts organizations are invited to submit ideas for projects in any arts discipline that will take place at the Edwin Markham Day Care Center. Proposed programs may include: music, dance, painting, drawing, poetry, theater, photography, mixed media, etc. All proposed programs must be designed to include age-appropriate activities and provide children with an opportunity to immerse themselves in art while having an enjoyable learning experience. Proposed programs will be one session with a two-hour duration, from approximately 9 a.m. through 11 a.m.

DESCRIPTION OF FACILITIES:

The Edwin Markham Child Care Center has been serving families in the Stapleton neighborhood of Staten Island for over 60 years. The program is administered by Seamen's Society for Families and Children. Currently there is limited arts programming and supplies available at The Center which serves children ages 2.5 to 6 years of age. The Center has three classrooms each staffed by a Group Teacher, Assistant Teacher and a Teacher Aide. The artist will work in collaboration with Seamen's program personnel at the Center and will be accompanied in the classroom by teachers at all times.

PROGRAM IDEAS:

Some examples of suitable projects are described below. This list is meant to provide applicants with a general sense of what type of projects are appropriate and are by no means meant to limit the scope of projects suggested. Special consideration will be given to proposals that propose to increase literacy and/or have a multi-cultural component.

Visual Arts
  • Have students learn basic calligraphy strokes for the creation of Chinese writing as an art form

Visual Arts/Language Arts
  • Discuss storytelling and listening with children and create a wall story as a means of retelling the story

Dance
  • Help students understand patterns of wind cycles through dance

Music/Science
  • Have students learn about animal habitats through song and movement

Theatre
  • Use any of Aesop's Fables and to make masks and retell stories

SUBMIT:
  • Narrative (required contents described in the section below)
  • Resume highlighting artist or organizations experience in presenting similar programs
  • Work samples (up to 8 slides or digital images or 5 minutes of performance on DVD, video or audio tape)
  • List of supplies needed to present program and approximate cost
  • A lesson plan designed for this program or one used for a similar program
  • Optional: Documentation of a similar previously-presented program such as photographs, works, lesson plan
  • Optional: Letter of recommendation from teachers, administrators, or person responsible for oversight of similar previously presented program

NARRATIVE:

In a timeline format, outline the activities in which the children will be engaged for the 2 hours of your program. Describe:
  • What you plan to do with the children
  • What supplies will you need
  • Include time needed for set up and clean up
  • How you will focus the children's attention
  • How you will manage and instruct the children- i.e. large and/or small groups, through independent activities
  • Any demonstration you will provide and what types of hands-on activity the children will participate in
  • Take-home projects or follow-up ideas for family involvement

RESTRICTIONS:
  • All programs will take place during weekday mornings from approximately 9 to 11 am.
  • Applicants may submit more than one proposal but it is intended that each artist's services will only be engaged for one program
  • Only applicants who enjoy working with very young child should apply

DEADLINE AND SELECTION:
  • Deadline: September 6th, 2005
  • Applications may be postmarked or hand-delivered to COAHSI, att: Edwin Markham Arts Champions, 1000 Richmond Terrace, Staten Island, N.Y. 10301
  • At least 6 proposals will be selected for implementation during the current program cycle
  • COAHSI will make the selections in collaboration with Seamen's Day Care Center.
  • Applicants may be requested to supply additional information regarding the proposal
  • Applicants will be notified by mid-September

IMPLEMENTATION:

Applicants who are selected to implement their proposals will be asked to visit the facility and will complete a contract with the Seamen's Society for Families and Children.

The optimal time for programming to be presented within the day-care center's schedule is approximately 9am-11am. Days when programming may be scheduled are flexible. COAHSI and Seamen's will establish the schedule working within the presenter and day care center's requirements. Special attention will be paid to proposals which specify a holiday theme.

Compensation of $250.00 will be provided (includes prep time and travel). Supplies and equipment will be purchased in arrangement with the Seamen's Society for Families and Children. Presenter will be paid by Seamen's through a grant from the New York City Day Care Council.


Arts-in-Education Partnerships

Arts-education partnerships enlist the deliberate cooperation of community cultural organizations, school teachers and administrators, local arts agencies, and public and private funders to connect children with arts experiences and instructions in and out of school. (Craig Dreeszen, Intersections: Community Arts and Education Collaborations. Arts Extension Service, U. Mass/Amherst).

These partnerships, characterized by mutual cooperation and responsibility, service many goals. These goals include increasing arts literacy, fostering imaginative learning, deepening community connections, or providing a better understanding of cultural diversity.

On-line help is available for community arts and education collaborations at Learning Partnerships, Arts Extension Service, University of Massachusetts- Amherst, working in partnership with:

Arts Education Partnership;
Council of Chief States School Officials;
National Assembly of State Arts Agencies; and,
National Endowment for the Arts

The following introductory information has been extracted from the University of Massachusetts- Amherst site.

WHAT MAKES AN EFFECTIVE AND SUSTAINABLE ARTS AND EDUCATION PARTNERSHIP?

Characteristics of Effective Partnerships

  • The partners understand shared goals that ultimately enhance student learning.
  • The individual partners' own goals are met within an effective partnership.
  • In sustained partnerships, the partners respect each other's values, goals, and organized cultures.
  • In sustained partnerships, leadership becomes shared.
  • Partners within effective partnerships assume a shared sense of ownership in the collaborative program
  • Effective partnerships are creative.
  • The organization and structure of sustainable partnerships must be flexible.
  • Strong partnerships survive setbacks.
  • Effective partnerships engage multiple community sectors.
  • Good community arts and education partnerships involve multiple artistic and academic disciplines.
  • The arts are valued for themselves and for their capacity to enhance student learning.
  • Sustained partnerships are concerned comprehensively with education.
  • Partnerships are best sustained when there is support at all levels of partner organizations.
  • Effective partnerships invest in the professional development of their personnel.
  • Partner institutions learn and change.
  • Evaluation and documentation helps achieve partnership goals.
  • Sustained partnerships create an infrastructure that supports community/school learning relations.
  • Effective partnerships attract sustained funding.
  • Good partnerships require persistence and patience.

KEY QUESTIONS:   What partners should be asking themselves 1st as they think about a new partnership…

Do I need any help to:

Solve a problem? Schools and community organizations often seek help to solve problems. If the interests of potential partners are complementary, a productive collaboration may yield solutions.

Meet specific student or member needs? Educators may want to reach children who haven't responded well to non-creative approaches to learning or provide in-service teacher training.

Develop, influence, or implement a plan, policy or mandate? These could include state fine arts graduation requirements, standardized tests, or implementation of local school management.

Build better community relations? Partnership programs may inspire more parent involvement in the schools and contribute to safer neighborhoods.

Better use an available resource? Expert citizens may help classroom teachers develop curricula or community groups may use school facilities after hours.

Take advantage of an opportunity? Opportunities like millennia celebrations, major exhibitions, new community leadership all suggest collaborations.

What do I need?

A principal may need help to fulfill a curriculum requirement, an arts leader may want to better serve a specific population, or a superintendent might need to invest in teachers' professional development.

Who could help me?

Early planners of a collaborative initiative will seek out partners with complementary interests and resources. Be strategic about the order and timing of partner recruitment. Often a high-profile leader such as the superintendent of schools should be sought out first or it may make more sense to build grass-root support first.

How could I help them?

Consider what you might be willing to contribute to the collaborative effort- i.e. funds, facilities, staff time, administrative services, supplies, etc.

What are my limits to working with them?

Consider what constraints limit your capacity to give time or resources to the work of the partnership. Things like the need for release time for participating teachers, retiring leadership, downsizing, or a pending major initiative should be acknowledged to other partners.

KEY QUESTIONS:   What partners should be asking themselves 2nd when they have decided to collaborate…

What are our shared goals?

Each partner may enter the venture for different reasons and may have various perceptions of the nature of the problem to be solved and goals to be achieved. One of the earliest partnership tasks is to agree upon the reason for the partnership and shared goals. A partnership that advances each other's goals is more sustainable than one that creates new initiatives outside the partners' existing priorities.

Who are we trying to help?

This will ultimately be students, however, the most direct and lasting impact may be upon the continuing professional development of classroom teachers and arts specialists. A project may also benefit artists, parents, and principals. Be strategic about the point of intervention. Be clear about who are the intended beneficiaries. They must be a central part of planning and their voices should be heard as programs are developed.

What are our specific objectives?

As you plan, convert a shared understanding of the problem into intended outcomes, then specific tasks.

Who will make fundamental decisions for the partnership?

The collaboration will have a core group of decision-makers informed be a larger circle of advisors. As partnership membership is often ill-defined, be clear about who is responsible for the initiative.

How much will it cost?

Costs and revenues are established in a written budget for the partnership or project. The budget forms a basis for the partnership agreement and sets funding targets. Budgeting will also determine the extent to which partner institutions will contribute their own resources. It is also essential to resolve how expenditures are approved and documented.

Where do we get the funds?

Determine the likely sources of funds. If fundraising or government appropriations are required, the partnership must decide who will raise the required funds from what sources. Partners must be protected from fundraising on behalf of the partnership that limit individual partners' access to their own contributed funds. At this stage, partnership plans are usually modified top suit the feasibility of funding.

How will we operate?

Partnerships invariably change in response to success and setbacks. Plans seldom proceed exactly as foreseen. It is necessary that the partners develop means for regular communication. Written agreements and periodic planning and evaluation meetings are critical. Some busy partners need the efficiencies of e-mail, fax, listservs, and web pages to facilitate communication. Partnerships that involve classroom teachers must plan for release time from teaching or critical participation of teachers will be missing. It is essential that teachers be valued and central participants in the planning.

How will we know if we are succeeding?

Establish measurable objectives and plan to gather evidence of the extent to which they are achieved.

KEY QUESTIONS:   What partners should be asking themselves 3rd as the partnership matures…

How are we doing?

Informal evaluations as the project proceeds and more formal final evaluations are critical to help the partners learn if intended outcomes are being achieved. Progress reports satisfy funders' needs for accountability.

Do we need to:

Recruit new partners? Consider if the evolving collaboration needs new or additional resources, skills, or connections.

Adjust our projects? Most collaborative initiatives are frequently revised based on evidence of early successes or setbacks.

Revise our goals or objectives? If conditions change or evaluations indicate4 the need, the partners may respond by amending their intended results.

To learn more about the Learning Partnership Workshop, access the Planning and Evaluations Workbooks, or obtain more resources, visit www.umass.edu/aes/learningpartners


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